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"But why?" asks the duchess.,

And cuckoo-buds of yellow hue,

"It shall be helped," she says, in a low, but condensed tone. "For the future I forbid any one in my house to take it upon them to say whether I am in or out. I am the one to decide that. On what principle did you show them in here?" she asks, turning to Mona, her anger increasing as she remembers the rakish cap: "why did you not say, when you were unlucky enough to find yourself face to face with them, that I was not at home?",

"Wait here," says Geoffrey to his squire, and, going forward, rests the bag upon a low wall, and waits until the girl in question shall turn her head. When she does move he is still silent, for, behold, she has turned his head!

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One o'clock chimes the tiny timepiece on the mantelshelf; outside the sound is repeated somewhere in the distance in graver, deeper tones.,

Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.",

It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years.,

An old man, rugged but kindly-featured, rises on his entrance, and gazes at him expectantly. Mona, going up to him, rests her hand upon his arm, and, indicating Geoffrey by a gesture, says, in a low tone,—